I am sneaking in under the wire of Poetry Friday to post a poem that I was reminded how much I like at Kindling Words yesterday.
The More Loving One by W. H. Auden
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
Friday, January 30, 2009
Tuesday, January 20, 2009
Creative Process
When I was in Chicago last fall, I visited the Art Institute, which is one of my absolute most favorite museums ever. They always have a wonderful children's art exhibit, usually from picture books, a great photography exhibit, other fantastic special exhibits, and of course, their amazing permanent collection. (I always visit the Caillebotte painting Paris Street in Rainy Weather.)
During one of the most recent visits, one of the special exhibits was one of drawings from the Renaissance. I love exhibits of drawings. Love.
It feels like seeing behind the scenes of a painting. Drawings are often so fluid and of-the-moment; you see how the artist's mind came up with the composition, the idea of the drawing. You see mistakes, or re-visionings. It's as close as we can get, perhaps, to seeing the creative process as it proceeds.
I realized, too, that this chance to glimpse the process, the inner workings (as much as any person who's not the artist can) is the same reason I always loved watching play rehearsals in college. And why I love editing and seeing drafts of manuscripts. Watching something beautiful come together is as compelling to me as the finished project. It's mysterious and magical and inexplicable and completely fascinating.
During one of the most recent visits, one of the special exhibits was one of drawings from the Renaissance. I love exhibits of drawings. Love.
It feels like seeing behind the scenes of a painting. Drawings are often so fluid and of-the-moment; you see how the artist's mind came up with the composition, the idea of the drawing. You see mistakes, or re-visionings. It's as close as we can get, perhaps, to seeing the creative process as it proceeds.
I realized, too, that this chance to glimpse the process, the inner workings (as much as any person who's not the artist can) is the same reason I always loved watching play rehearsals in college. And why I love editing and seeing drafts of manuscripts. Watching something beautiful come together is as compelling to me as the finished project. It's mysterious and magical and inexplicable and completely fascinating.
Wednesday, January 7, 2009
I like a good quiz every once and a while
| What Kind of Reader Are You? Your Result: Dedicated Reader You are always trying to find the time to get back to your book. You are convinced that the world would be a much better place if only everyone read more. | |
| Obsessive-Compulsive Bookworm | |
| Literate Good Citizen | |
| Book Snob | |
| Fad Reader | |
| Non-Reader | |
| What Kind of Reader Are You? Quiz Created on GoToQuiz | |
Thursday, January 1, 2009
Books Read in 2008
I keep a list of all the books I read--for pleasure, not for work--each year.
1. King Dork • Frank Portman
2. Good Masters, Sweet Ladies • Laura Amy Schlitz
3. Long May She Reign • Ellen Emerson White
4. The Plain Janes • Cecil Castelucci & Jim Rugg
5. The Secret Language • Ursula Nordstrom
6. The New Policeman • Kate Thompson
7. The Time Traveler’s Wife • Audrey Niffenegger
8. The White Darkness • Gerald McCaughrean
9. The Dollhouse Murders • Betty Ren Wright
10. My Louisiana Sky • Kimberly Willis Holt
11. The Red Queen’s Daughter • Jacqueline Kolosov
12. Spook • Mary Roach
13. The House of the Scorpion • Nancy Farmer
14. Wait Till Helen Comes • Mary Downing Hahn
15. Before I Die • Jenny Downham
16. River Secrets • Shannon Hale
17. Waiting for Normal • Leslie Connor
18. Little Brother • Cory Doctorow
19. The Underneath • Kathi Appelt
20. The Hunger Games • Suzanne Collins
21. Sun & Spoon • Kevin Henkes
22. Eclipse • Stephenie Meyer
23. Breaking Dawn • Stephenie Meyer
24. Just Listen • Sarah Dessen
25. The Thief • Megan Whalen Turner
26. Queen of Attolia • Megan Whalen Turner
27. King of Attolia • Megan Whalen Turner
28. The Lucky Ones • Stephanie Greene
29. The President’s Daughter • Ellen Emerson White
30. The Year We Disappeared • Cylin Busby & John Busby
31. City of Bones • Cassandra Clare
32. Harriet the Spy • Louise Fitzghugh
33. The Disreputable History of Frankie Landau-Banks • E. Lockhart
34. Forest of Hands and Teeth • Carrie Ryan
35. Graceling • Kristin Cashore
36. Alanna • Tamora Pierce
37. In the Hand of the Goddess • Tamora Pierce
38. Winter Dreams, Christmas Love • Mary Francis Shura
39. The Monsters of Templeton • Lauren Groff
1. King Dork • Frank Portman
2. Good Masters, Sweet Ladies • Laura Amy Schlitz
3. Long May She Reign • Ellen Emerson White
4. The Plain Janes • Cecil Castelucci & Jim Rugg
5. The Secret Language • Ursula Nordstrom
6. The New Policeman • Kate Thompson
7. The Time Traveler’s Wife • Audrey Niffenegger
8. The White Darkness • Gerald McCaughrean
9. The Dollhouse Murders • Betty Ren Wright
10. My Louisiana Sky • Kimberly Willis Holt
11. The Red Queen’s Daughter • Jacqueline Kolosov
12. Spook • Mary Roach
13. The House of the Scorpion • Nancy Farmer
14. Wait Till Helen Comes • Mary Downing Hahn
15. Before I Die • Jenny Downham
16. River Secrets • Shannon Hale
17. Waiting for Normal • Leslie Connor
18. Little Brother • Cory Doctorow
19. The Underneath • Kathi Appelt
20. The Hunger Games • Suzanne Collins
21. Sun & Spoon • Kevin Henkes
22. Eclipse • Stephenie Meyer
23. Breaking Dawn • Stephenie Meyer
24. Just Listen • Sarah Dessen
25. The Thief • Megan Whalen Turner
26. Queen of Attolia • Megan Whalen Turner
27. King of Attolia • Megan Whalen Turner
28. The Lucky Ones • Stephanie Greene
29. The President’s Daughter • Ellen Emerson White
30. The Year We Disappeared • Cylin Busby & John Busby
31. City of Bones • Cassandra Clare
32. Harriet the Spy • Louise Fitzghugh
33. The Disreputable History of Frankie Landau-Banks • E. Lockhart
34. Forest of Hands and Teeth • Carrie Ryan
35. Graceling • Kristin Cashore
36. Alanna • Tamora Pierce
37. In the Hand of the Goddess • Tamora Pierce
38. Winter Dreams, Christmas Love • Mary Francis Shura
39. The Monsters of Templeton • Lauren Groff
Thursday, December 25, 2008
Light the lamp, not the rat!
I heart almost all Christmas movies, but far and away the best is The Muppet Christmas Carol. A few weeks ago, when my sister came over for a day of cookie-baking and movies, she asked me, "Why do you like the muppets so much?" My flip response was "I don't understand why you even have to ask that."
But then I kept thinking about it. What is it that so appeals to me?
Well, just like with any truly great children's book, the Muppets work on multiple levels. There's the humor of these funny-looking puppets. The humor of juxtaposing fuzzy, funny puppets saying very dry or serious things. The humor of them saying the obviously funny joke. They're both silly and smart. They don't take themselves seriously but they also don't dumb themselves down.
They teach things without being "Educational." Think about how much information you learn about Dickens by what Gonzo and Rizzo talk about. Yet it never feels like a lesson. There are rewards for people who already know about Dickens, too--like in the opening song when one of the mice says, "Please, sir, I want some cheese."
And there's the lovely Christmas message, of course, to the Muppet Christmas Carol--that life is about the people you share with. Our friends and family are what give everything we do meaning. And on that note, I'm off to join my family in eating as many cookies as possible before sugar shock sets in.
But then I kept thinking about it. What is it that so appeals to me?
Well, just like with any truly great children's book, the Muppets work on multiple levels. There's the humor of these funny-looking puppets. The humor of juxtaposing fuzzy, funny puppets saying very dry or serious things. The humor of them saying the obviously funny joke. They're both silly and smart. They don't take themselves seriously but they also don't dumb themselves down.
They teach things without being "Educational." Think about how much information you learn about Dickens by what Gonzo and Rizzo talk about. Yet it never feels like a lesson. There are rewards for people who already know about Dickens, too--like in the opening song when one of the mice says, "Please, sir, I want some cheese."
And there's the lovely Christmas message, of course, to the Muppet Christmas Carol--that life is about the people you share with. Our friends and family are what give everything we do meaning. And on that note, I'm off to join my family in eating as many cookies as possible before sugar shock sets in.
Monday, December 15, 2008
Making choices
Every once and a while, I notice a theme in my reading, and usually it’s completely accidental. This fall it’s been books (and a few manuscripts) about choice. Which, okay, is an underlying theme in a lot of teen books, since it’s a big teen concern--choosing who to be, how to live life, how to be independent. But my fall reading has very much been about characters whose main conflict is the choice between being true to themselves, following their dream or passion or being in love. I’m so glad that there are these books for teen out there. They are important, because they show that it’s not all about the boy (or girl, if the protagonist is a boy). Part of me wonders if the novels about these concerns lately have been reactions to Twilight, in which Bella does pretty completely lose herself for Edward.
The novels that have struck me most are The Disreputable History of Frankie Landau-Banks, The Forest of Hands and Teeth, and Graceling. I really liked them all for their strong female characters and their approaches to how these young women see their choices. In Disreputable History, Frankie has to deal with getting the guy she’s had a crush on, but him not seeing all of her, seeing her only as adorable, rather than the brilliant, challenging person she is. She has the thought in one situation, reflecting on how she's proud of herself for confronting someone, "At least I wasn’t someone’s little sister, someone’s girlfriend, some sophomore, some girl--someone whose opinions don’t matter." And later, "She will not be simple and sweet. She will not be what people tell her she should be." In The Forest of Hands and Teeth, Mary lives in a world overrun by zombies, where humans are only safe in a fenced off village. But Mary’s heard of the ocean, and believes in it, wants to find it. She, too, ends up struggling with her love for a boy and her wish to see the ocean, to believe that more exists outside their fences. "Ever since that day on the hill, ever since he promised he would come for me, this was always supposed to be our dream, together. It was never supposed to be about having to choose one or the other," she says at one point. It’s fantastic that teens have strong characters like Frankie and Mary who are confronting these sorts of conflicts, so that readers can see how these young women decide, deal with it. So that they see that being conflicted like that is okay. That they shouldn't lose themselves for someone else. The only quibble I have is: why does it have to be a choice? Why can’t they be true to themselves and their dreams and have love? Of course, maybe the key there is that neither Mary nor Frankie have met the right guys, the ones that get them, and really see them. Which is part of what I adore about Graceling. Katsa has the same trouble-- "She loved Po. She wanted Po. And she could never be anybody’s but her own."--but she finds a way to have both. She’s able to remain thoroughly herself, but also to love and be loved, however unconventionally.
Katsa reminds me a little of Alanna from Tamora Pierce’s Song of the Lioness quartet (which have been my favorite books since I was ten) in how she reconciles having her freedom and her love. The Alanna books were among the first of the “kickass girl” books, in which the hero is a girl, not a boy, along with Robin McKinley’s The Blue Sword and The Hero and the Crown. So, twenty-ish years later, and there are many, many more books showing girls as heroes, as strong, independent people. But still facing the same choices and problems. I’d like to think that these days, though, these aren’t feminist issues, but people issues. And I do think there are boy books about the same themes.
The novels that have struck me most are The Disreputable History of Frankie Landau-Banks, The Forest of Hands and Teeth, and Graceling. I really liked them all for their strong female characters and their approaches to how these young women see their choices. In Disreputable History, Frankie has to deal with getting the guy she’s had a crush on, but him not seeing all of her, seeing her only as adorable, rather than the brilliant, challenging person she is. She has the thought in one situation, reflecting on how she's proud of herself for confronting someone, "At least I wasn’t someone’s little sister, someone’s girlfriend, some sophomore, some girl--someone whose opinions don’t matter." And later, "She will not be simple and sweet. She will not be what people tell her she should be." In The Forest of Hands and Teeth, Mary lives in a world overrun by zombies, where humans are only safe in a fenced off village. But Mary’s heard of the ocean, and believes in it, wants to find it. She, too, ends up struggling with her love for a boy and her wish to see the ocean, to believe that more exists outside their fences. "Ever since that day on the hill, ever since he promised he would come for me, this was always supposed to be our dream, together. It was never supposed to be about having to choose one or the other," she says at one point. It’s fantastic that teens have strong characters like Frankie and Mary who are confronting these sorts of conflicts, so that readers can see how these young women decide, deal with it. So that they see that being conflicted like that is okay. That they shouldn't lose themselves for someone else. The only quibble I have is: why does it have to be a choice? Why can’t they be true to themselves and their dreams and have love? Of course, maybe the key there is that neither Mary nor Frankie have met the right guys, the ones that get them, and really see them. Which is part of what I adore about Graceling. Katsa has the same trouble-- "She loved Po. She wanted Po. And she could never be anybody’s but her own."--but she finds a way to have both. She’s able to remain thoroughly herself, but also to love and be loved, however unconventionally.
Katsa reminds me a little of Alanna from Tamora Pierce’s Song of the Lioness quartet (which have been my favorite books since I was ten) in how she reconciles having her freedom and her love. The Alanna books were among the first of the “kickass girl” books, in which the hero is a girl, not a boy, along with Robin McKinley’s The Blue Sword and The Hero and the Crown. So, twenty-ish years later, and there are many, many more books showing girls as heroes, as strong, independent people. But still facing the same choices and problems. I’d like to think that these days, though, these aren’t feminist issues, but people issues. And I do think there are boy books about the same themes.
Thursday, November 27, 2008
Thanksgiving
I am thankful that I woke up to the smell of the turkey cooking; that both of my siblings and I were all able to come home for the holiday; that we still put the Macy’s parade on while we make coffee and help around the kitchen and generally putz around; that everyone still stops for a minute when Santa comes at the end; that my cousins and their kids joined us; that we sit around, talking and listening to each other; that Thanksgiving is a day to slow down and catch up with life; that my parents’ home is a warm, inviting place full of life shining in a dark, snowy, starry night.
I am thankful for a job that I believe affects people and makes the world better; that I help to bring kids and teens the kinds of stories that will stick with them and help them figure out life, choice, love, school, friendship, independence, and so many other things; that I get to know and work with awe-inspiring, creative people; that what I do is all about connection.
I am thankful for amazing friends who are funny, smart, passionate, giving, strong, and generally incredible people.
I am thankful.
I am thankful for a job that I believe affects people and makes the world better; that I help to bring kids and teens the kinds of stories that will stick with them and help them figure out life, choice, love, school, friendship, independence, and so many other things; that I get to know and work with awe-inspiring, creative people; that what I do is all about connection.
I am thankful for amazing friends who are funny, smart, passionate, giving, strong, and generally incredible people.
I am thankful.
Subscribe to:
Posts (Atom)