I love a good book meme.

1. What author do you own the most books by?

I think it might be a tie between Tamora Pierce and Robin McKinley.

2. What book do you own the most copies of?

I have two of a few books ("good" copies and lending copies). But I get attached to the copy I read (yes, I mark my favorite lines/passages, and sometimes write notes in margins), so I don't usually feel the need to buy multiples of books.

3. What fictional character are you secretly in love with?

I'm not very secretive at all about my fictional crushes, as evidenced by my previous post about them.

4. What book have you read more than any other?

Well...the books I've edited. But besides those, probably Matilda by Roald Dahl, Beauty by Robin McKinley, and the aforementioned Alanna books.

5. What was your favorite book when you were 10 years old?
See last answer. That's why they're the ones I've read most!

6. What is the worst book you've read in the past year?
I was very disappointed by Breaking Dawn, I must say.

7. What is the best book you've read in the past year?

You mean besides the ones I've worked on again, right?

I loved Graceling by Kristin Cashore, The Hunger Games by Suzanne Collins, Paper Towns by John Green, Asta in the Wings by Jan Elizabeth Watson, Jellicoe Road by Melina Marchetta, The President's Daughter by Ellen Emerson White, and Spook by Mary Roach.

8. If you could tell everyone you tagged to read one book, what would it be?
Oh, my. Criss Cross by Lynne Rae Perkins or Megan Whalen Turner's books.

9. What is the most difficult book you've ever read?
Hm. That depends what "difficult" means. Ulysses by Jame Joyce was one of the most challenging books I've ever read, but it also teaches you how to read it as you go, so I never felt overwhelmed by it, and it's so, so, so rewarding in the end. The first Octavian Nothing by M. T. Anderson was the hardest for me to get through because it's just not the book for me.

10. Do you prefer the French or the Russians?

I feel pretty indifferent to both, actually.

11. Shakespeare, Milton, or Chaucer?

Shakespeare. I'm a theatre dork.

12. Austen or Eliot?

Austen.

13. What is the biggest or most embarrassing gap in your reading?

I've got big gaps in my reading of the canon. Like, I've never read 1984, Catcher in the Rye, Kurt Vonnegut, On the Road...

14. What is your favorite novel?
For reals? I can't answer that.

15. What is your favorite play?

Hard one! Reckless by Craig Lucas, Private Lives by Noel Coward, The Real Thing by Tom Stoppard.

16. What is your favorite poem?

Many of a college friend of mine, who is yet to be published. I love very short, evocative poems that capture specific moments and feelings.

17. What is your favorite essay?

I don't know that I have one, though I quite like reading them.

18. What is your favorite short story?

I adored Karen Russell's collection St. Lucy's Home for Girls Raised by Wolves.

19. What is your favorite non-fiction?

Dear Genius, edited by Leonard Marcus.

20. What is your favorite graphic novel?

I'm not widely read in graphic novels, but I really liked American Born Chinese and To Dance and Robot Dreams.

21. What is your favorite science fiction?

The Hunger Games

22. Who is your favorite writer?

Way, way, way too many to try to pick one. Writers are tremendously creative and talented and amazing people.

23. Who is the most overrated writer alive today?

I'm not a Dan Brown fan, but plenty of people are. I don't like calling writers overrated. They work so hard, and there are so many readers with such widely varying tastes.

24. What are you reading right now?
The Inheritance of Loss by Kiran Desai.

25. Best memoir?

I can't remember the last memoir I read!

26. Best history?

I have to be honest, I don't enjoy reading history. I like biographies, and nonfiction in general, but history often is presented too dryly for me. I'd love suggestions for one that I might like, though!

27. Best mystery or noir?

The Westing Game

Adversaries, take 2. The nicer take.

"This isn't romance. This isn't a declaration of love or affirmation of friendship. This is something more." --Melina Marchetta, Jellicoe Road

It occurred to me after reading the couple of comments on the adversaries post that the same dynamic is important in non-opponent relationships, too. Finishing Jellicoe Road recently also underscored it, as I watched how Taylor and Griggs's opponentship and relationship unfolded.

The people who a protagonist spends time with, whether as friend, enemy, family, or love, have to be people worth that time for both the character and the reader. The king and queen of Attolia are one of literature's greatest couples because they challenge each other both as opponents and as lovers. Nick and Norah (of the Infinite Playlist) work because they challenge each other. Mildred and Jacob in Me and the Pumpkin Queen are such great friends because they understand, support, and complement one another. The same with Billy, Tommy, and Ernestine in Tracking Daddy Down. And Toot and Puddle. The most compelling relationships are the ones in which the characters are different, but equal.

Maybe this is the germ of a future conference talk, but I'd love to hear what others have to say.

Poetry Month!

I get the Academy of American Poets poem-of-the-day emails during Poetry Month, and I particularly like this one.

How to Read a Poem: Beginner's Manual
by Pamela Spiro Wagner

First, forget everything you have learned,
that poetry is difficult,
that it cannot be appreciated by the likes of you,
with your high school equivalency diploma,
your steel-tipped boots,
or your white-collar misunderstandings.

Do not assume meanings hidden from you:
the best poems mean what they say and say it.

To read poetry requires only courage
enough to leap from the edge
and trust.

Treat a poem like dirt,
humus rich and heavy from the garden.
Later it will become the fat tomatoes
and golden squash piled high upon your kitchen table.

Poetry demands surrender,
language saying what is true,
doing holy things to the ordinary.

Read just one poem a day.
Someday a book of poems may open in your hands
like a daffodil offering its cup
to the sun.

When you can name five poets
without including Bob Dylan,
when you exceed your quota
and don't even notice,
close this manual.

Adversaries, opponents, archenemies, nemeses

Ever since I went to see Frost/Nixon a few weeks ago, I’ve been thinking about adversarial relationships. (In fiction, of course.) The movie is brilliant all around, and of course, the focus is on a series of confrontations between David Frost and Richard Nixon. Each is trying to get the best of the other, each trying to come out on top. But only one of them can win. They are two very different people, yet also similar in ways, too. They both want to be in the spotlight of their circle. They both crave "ratings" of a sort. They're both able to captivate other people; they're both charismatic. And though it seems like Nixon should be able to easily win in this confrontation, Frost, in the end, has equal strength.

That’s what makes for a worthy opponent--someone who is equally strong, or witty, or what-have-you--and I think that often lies in the similarities between two adversaries rather than their differences. Some amount of sympathy for the other is necessary, too. In Frost/Nixon, we can see that Frost does feel for Nixon by the end, and even that Nixon sympathizes with Frost. We couldn’t have had James Reston opposite Nixon because Reston didn’t see Nixon as human; to him, Nixon was purely bad. And we couldn’t have had Frost opposite Jack Brennan because Brennan saw Frost as a joke.

It works the same way in any story, I think. There has to be equal strength, wit, intelligence, and each has to be able to see the other as a person--at least a little bit. Vulnerabilities and flaws in counterpoint to strengths and attributes make characters more interesting and complex, whether they are protagonists or antagonists. The Dark Knight also sparked this thought last summer, during that scene when the Joker outlines how he and Batman aren't so different deep down. (Which is an admittedly chilling thought.)

Anyone else have great examples of worthy adversaries in books? Harry and Voldemort, obviously. And I’d say the king and queen of Attolia have one that’s breathtaking (and romantic, too!). Blair and Serena in Gossip Girl? Who else?

A-twitter

Over the weekend, I became fascinated by the reactions to the panel on book publishing at South by Southwest. It seems to have caused quite the uproar. Here are a few of the reactions that caught my eye:

http://www.williamaicher.com/2009/03/16/really-new-think-for-old-publishers/
http://yodiwan.wordpress.com/2009/03/16/the-art-of-the-conversation-a-la-sxsw/
http://booksquare.com/new-think-not-so-much/
http://medialoper.com/hot-topics/print/traditional-publishers-crash-and-burn-at-sxsw/

They all bring up interesting and valuable points. Yet, everything seems to focus more on the marketing and selling of the books, rather than their creation. Obviously marketing and selling are important, and I’m interested in both of those things. But frankly, what I’d love to hear and talk more about is how finding and creating stories is evolving. Yes, the new media is connecting books and authors and readers, which is essentially the business of publishing, and we need to explore it more and never stop exploring and pushing boundaries.

But how do editors and authors use all of this new available stuff before there’s a finished product? After all, editors aren’t gatekeepers. Ok, sure, we have to say “no” to things, but that isn’t what we like doing. We like saying yes. We like finding an author, a voice, a story that completely blows us away. I want to be able to help give kids and teens stories that help them live, and think, and cope, and laugh, and have opinions, and make choices. I want to find writers who have meaningful things to say and to help them say it and put it out in the world in the best possible way. I want to help them make their ideas and words shine. I want to read good books. Whatever formats “book” comes to mean. That's why I wanted to be an editor, and why I love being one, and I think that passion and a critical eye are always going to be valuable commodities.

The stories that I find sparkling and brilliant might not be the same ones another editor is attracted to. And I might not connect with one that another editor finds irresistible. But we’re all working to get the stories we believe in out there, because there are so many different readers in the world. Are new media tools best used by us to find the writers we connect with, too, then?

The conversations about “new think” have mostly revolved around adult book publishing, but I’d love to see more about children’s and YA publishing. After all, that audience is the one that's truly going to bring in the next era of reading, aren’t they?

Things I Learned in Hawaii

I'm still just a tad too jetlagged to write coherently about the two topics I've been mulling. So instead, here, in no particular order, are things I learned in Hawaii.

* Even overcast rainy-ness seems glorious at 70 degrees on a tropical island when you've left a foot of snow behind on a not-so-tropical island.

* Pineapples grow OUT OF THE GROUND. Out of the ground, I tell you! And here I was, thinking my whole life, that they grew from trees. They are bromeliads, which may be one of the coolest words, but strangest plants around.

* There is a delicacy called shaved ice. It is what I'd call a snow cone. Except way better. And you can get condensed milk drizzled on top, which at first sounds like it could be bad, but it is so, so good!

* It seems I'm on an unintentional SCBWI-Obama tour. The last one I did in '08 was in Chicago, just weeks after the election. Now Honolulu, where I got to see the condo building where Obama's grandma lived, the school he went to, and the Baskin Robbins where he worked. So I guess I need Boston and DC speaking engagements before I've collected all towns Obama has called home?

* I get lost in the middle of Hawaiian words. So getting around for five days sounded a little like this: "Oh, we need to go down Kala...mumblemumble to Lili'o... that L street...." Also, there are apparently no B's in Hawaiian!

Where I've Been

Post have been scant because I was getting ready to go to SCBWI-Hawaii.


But now that I've returned, a few things have been brewing, so I'll get back on track.